金秘书为什么真的这样做？
What'sReallyWrongWithSecretaryKim在妻子的妻子的帮助下创业的朴相泰秘密地与女秘书美妍休假。在办公室里享受秘密事务。出席会议的秘书Seung-yu要求Park的妻子Hye-young拍摄外遇视频，以作为离婚的证据。您将收到。喜欢朴槿惠不道德的女人美妍的成奎改变了主意。承圭会不会因为老板的爱而成为一个团队，并得到美妍的爱艾旦影视
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巴里·林登
瑞安·奥尼尔,马里莎·贝伦森,帕特里克·马基,哈迪·克鲁格,史蒂文·伯克夫,盖伊·汉密尔顿,玛丽·基恩,黛安娜·科尔纳,穆雷·梅尔文,弗兰克·米德尔马斯,安德鲁·莫瑞尔,戈弗雷·奎格利,雷纳德·洛塞特,菲利普·斯通,利昂·维塔利,乔纳森·塞西尔,彼得·塞利尔,杰弗里·蔡特,伯纳德·赫普顿,巴里·杰克逊,沃尔夫·卡赫勒,汉斯·迈尔,费迪·梅恩,利亚姆·雷德蒙,帕特·罗奇,多米尼克·塞维奇,约翰·夏普林中女孩
Selah Rose,Doug Wilder,Maggie Wilder扬帆
贝蒂·戴维斯,保罗·亨雷德,克劳德·雷恩斯,格拉黛丝·库珀超越鼓丘
迈克尔·科瓦尔斯基,Morgan DeTogne,Daniel Titmuss,Emma Jessop驱魔人：信徒
琳达·布莱尔,艾伦·伯斯汀,詹妮弗·内特尔斯,小莱斯利·奥多姆, 奥利维亚·马库姆,安·唐德,莉娅·朱厄特,拉法埃尔·沙巴拉格,诺尔贝特·里奥·布茨,本·布莱顿,克洛伊·特埃考丝,E·J·博尼拉,莉兹·约翰斯顿,丹尼·麦卡锡,安东尼·科隆,诺拉·墨菲,奥奎·奥克波克瓦西里,埃米莉·雷切尔·戈登,塞莱斯特·奥利瓦,特蕾西·格雷夫斯联合舰队司令长官：山本五十六
三船敏郎,加山雄三,司叶子,稻叶义男,土屋嘉男,平田昭彦同类推荐
内乱夫人
崔有华,이영준,김학수前播音员金和正目睹了看似完美的政坛新星丈夫姜文浩隐秘的背叛。外表优雅却内心锋利的花贞，向丈夫及其欲望伸出缜密而隐秘的复仇之手。 年轻迷人的新任辅佐官洪美妍以甜蜜诱惑与挑衅动摇着和正与文浩之间的平衡，为欲望与权力的游戏投下致命火种。文浩的前任辅佐官朴道允成为和正的战略同盟，揭露丈夫的不伦与不正之风，点燃她致命计划的引信。 在隐秘视线与低语交织、冰冷复仇与炽热欲望交错的致命心理游戏中，金和正自由穿梭于爱情与权力、欢愉与复仇的边界。表面优雅微笑，内心炽燃的复仇剧——谁将成为最后的赢家？
临时家族
张双利,盛朗熙,李洛伊一个陷入瓶颈期的女演员，一个北京胡同孤僻老炮。一个姥姥带大的熊孩子，一个失败中年男人。这分别来自北漂，留守，离异，孤寡的四个人因为一场骗局被迫组成临时的完整家庭。自此上演一段鸡飞狗跳、笑泪交织的人间悲喜剧。他们在理想与现实中困顿，在希望与孤寂里挣扎。在这临时的亲情里回望各自真正的血缘。而在欢声笑语的身后，又有多少不为人知的伤心往事..
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
致命录像带85
弗莱迪·罗德里格兹,詹姆斯·兰索恩,乔丹·贝尔菲,吉吉·索尔·格雷罗,丹妮·迪特,Chelsey Grant,Alex Galick,Justen Jones,马克·西普卡,Marcio Moreno,Anna Sundberg,Andrew Ghai,Chivonne Michelle,Tyler Noble,Gabriela Roel,弗洛伦西亚·里奥斯,Ari Gallegos,Felipe de Lara,Forrest Hartl,艾薇·拜尔在一部电视纪录片中，五个令人不寒而栗的故事浮出水面:科学家们观察到一个不寻常的男孩盯着电视看，孩子们开始了一场湖上划水冒险，一个电视摄制组在自然灾害中挣扎求生，早期的VR唤醒了一些可怕的东西，一个致命的梦被记录在录像带上。”20世纪80年代的邪恶秘密以一种你从未见过的方 式变得栩栩如生。
次世代机动警察：首都决战
真野惠里菜,福士诚治,笕利夫,太田莉菜,千叶繁在毫无征兆的一个晴朗日子，一枚导弹笔直飞来，将国际大都会东京都内极具代表性的彩虹桥炸为两截。该事件在都内引起不小的骚动，此后不久，警视厅公安部外事三课的警部高畑慧（高岛礼子 饰）带着相关视频资料找到藤田继次（筧利夫 饰）所统率的特车二课，经分析发现这次袭击来自于那架自卫队不久前失窃的新型战斗直升机AH-88J2改“灰色幽灵（Grey Ghost）”。经高畑之口得知，该恐怖事件与拓植行人、灰原零（森カンナ 饰）有直接的关系。而在纷乱的实践中，特车二课则面临着被撤消的危险。 东京一千万人口沦为暴动分子的人质，面对前所未有的危机，泉野明（真野惠里菜 饰）和她的LABOR能否力挽狂澜？