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搭车客
熊猫计划之部落奇遇记
成龙,马丽,乔杉,于洋,王影璐,张子栋,王成思,柯达,宋木子,冯满,王星,潘斌龙,于荣光,胡笑源河鳗
潘纲大,柯泯薰,潘亲御,郑如吟,陈季霞,吴美和巫咒
王楠楠,田诗雨,张瀚文,刘宇锋,姜景中,王倾,关鹏,刘頔,郭子恒,宋卓然意外空间
胡伯托·巴斯托,Erick Trinidad Camacho,Santiago Mendoza Cortes,Adrián Ladrón de Guevara,Enrique Mendoza,埃尔南·门多萨,劳尔·门德兹再会亡灵
雷娜特·赖因斯夫,安德斯·丹尼尔森·李,巴哈·帕斯,比约恩·桑德奎斯特,扬·海恩凯维奇,本特·博瑟姆,Denise Trankalis,Olga Damani,Inesa Dauksta,Kian Hansen同类推荐
搭车客
为了谋生，一名失业的毕业生在深夜偷偷将一名女性尸体运往西原。在旅途中，他面对了一个充满不安灵魂的超自然世界、一个他渴望的神秘女孩，以及与他驾驶的救护车有关的黑暗真相。
宇宙毁灭记
Jeff Morrow,Barbara Lawrence,John Emery一颗神秘小行星接近地球，后坠入海中，不想其实际上是外星的自动侵略武器，专门吸食地球的资源和电量，更可怕的是如果不能摧毁这个武器，还会有更多的外星武器来到地球。。
乌鸦
浅野忠信,泷内公美,托比·凯贝尔,高冈早纪五〇年代，相馆世家长子前往东京追寻属于自己的艺术摄影。十年打磨，怪才摄影师深濑昌久在东京重生，爱妻鳄部洋子成为他的缪思女神，痴迷、寂寥、狂乱的灵魂逐步显影。在快门间追求游戏与私密性的展现，深濑昌久步步建筑起属于自己的艺术殿堂。但背后驱动鼓吹他的，却是一只潜伏在心底暗角、如影随形的乌鸦，一点一滴渗透他的心灵⋯⋯
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
唤醒杀手
夏恩·韦斯特,莱丝莉·比伯,马特·克拉文影片讲述了哈维无意中发现了多年前连环杀手十二宫自拍的杀人录像，他联系好友决定报警并平分十万美金的悬赏，不料当夜杀手便将他们盯上，一场屠杀即将开始。