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眠狂四郎
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梁家辉,蔡卓妍,关智斌童使
泷泽秀明,有冈大贵,门胁麦LAST MAN-全盲搜查官- FAKE/TRUTH
福山雅治,大泉洋,永濑廉,今田美樱,松尾谕,今井朋彦,奥智哉,木村多江,吉田羊,松本若菜,吉田钢太郎,向井康二137号案件
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罗立群,杜奕衡,杜乐,沈芳熙,扬笑,顾问孤独监禁
大卫·奥伊罗,鲁奇娅·伯纳德,吉米·费尔斯,奥利维亚·华盛顿,托马斯·卡德罗特,亚历山大·索托,Naomi Simpson,瑞恩·马尔凯,Gerardo Barcala,凯特·盖多西克,Trell Isaac,Julie Nolin,Matthew Mylrea,Aiden Stoxx,Alexander Davis,Glenn Hoffmann,巴里·佩珀,Nigel Gentry,Gavin Turnbull,Yorkie Joaquin北逃
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红衣诡村之幻·谜
姚尧,车品孝,石稚昀,谢易真,李国麟,骆应钧郑家村,突然发生了一系列似怪异的事件。 众人来到郑家老宅,郑浩民在了解情况后,特邀请曾经的同事,考古学教授张信安前来一同进行科学调查。 张信安等人来到郑家村与郑浩民等开展了一系列的调查工作。 张信安在观察了郑家老宅后,从科学依据做出判断,郑家老宅四面环山傍水,阴湿气重,在地理上形同一个低洼混区,导致磁场混乱,各种正常人感知不到的微弱电波无法散发。 就在调查即将接近真相的时候,两位教授遭受莫名攻击,陷入可怕幻觉,导致两人当场昏迷。 事态进一步恶化,破开迷雾的重任压在了韩斌和张紫涵这一对年轻恋人身上。 韩斌在经过一系列的诡异后终于找出缘由。
安吉的治疗
拉内特·塔切尔,肖恩·尼尔森,精华阿特金斯十年前,一位在派对上被强奸的年轻女子,饱受创伤,抓住难得的机会,向施暴者反击。然而,复仇的甜蜜滋味,却让她变成了多年来一直恐惧的那个怪物。这段惊险刺激的旅程将让你紧张不安,模糊是非对错的界限。随着权力格局的不断变化,安吉的治愈之路也引出了一个问题:“为了摆脱创伤,你愿意付出多少?”
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好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster