撞够本
起初一个兄妹.他哥哥的朋友要去城里.然后带上了他的妹妹去了县城然后到了城里 把他妹妹放到了一边路上 让他妹妹等结果他妹妹就在周围逛了下然后过来一个男人搭讪.这个男人把这女的骗到了香格里拉,然后和这个女的说脱一件衣服给多少钱,最后都脱了 男的说让我摸下 我在给你加3000 结果女的答应了 摸了下 又和那女的说 你让我日下。。我在给你加钱 女的答应了 完事后男得去打了个电话又叫来一个接着是又一个总共三个人 最后女的回到家 被他哥哥打了她 然后要告那三个男的 然后三个男的想用钱来扯平 拿着钱去找他哥哥 结果被吓跑了 然后三个男的就去找老婆说 让自己的老婆去 结果去了一个 被XX了。然后又去了一个。。又一个。。 最后结尾是三个女的 和三个男人在湖边的石头上XXOO
剧情简介
起初一个兄妹.他哥哥的朋友要去城里.然后带上了他的妹妹去了县城然后到了城里 把他妹妹放到了一边路上 让他妹妹等结果他妹妹就在周围逛了下然后过来一个男人搭讪.这个男人把这女的骗到了香格里拉,然后和这个女的说脱一件衣服给多少钱,最后都脱了 男的说让我摸下 我在给你加3000 结果女的答应了 摸了下 又和那女的说 你让我日下。。我在给你加钱 女的答应了 完事后男得去打了个电话又叫来一个接着是又一个总共三个人 最后女的回到家 被他哥哥打了她 然后要告那三个男的 然后三个男的想用钱来扯平 拿着钱去找他哥哥 结果被吓跑了 然后三个男的就去找老婆说 让自己的老婆去 结果去了一个 被XX了。然后又去了一个。。又一个。。 最后结尾是三个女的 和三个男人在湖边的石头上XXOO
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特雷弗·诺亚从社交媒体差评到治疗师的真相炸弹, 特雷弗·诺亚在这场搞笑、犀利又轻快的单口喜剧演出中将混乱变为喜剧。
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
午夜之花
北川景子,森田望智,佐久间大介,渋谷龍太,涩川清彦,田中丽奈,光石研,池内博之一个生活在社会边缘的母亲永岛夏希(北川景子 饰),白天在便利店打工,晚上在小酒馆兼职,努力维持家庭的温饱,但为了实现两个孩子的梦想,她不得已走上了成为毒贩的道路。
误色
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