ラストシーン 久松かおり

西南偏南电影节剧情片竞赛。                                                                      　　Nellie and Daisy attempt to escape the institution for delinquent girls in 1954 New Zealand, however not only are they caught, it triggers a relocation to a facility on a remote island. The duo become a trio as well-to-do Lou joins them, and life on the island takes shape under the command of devout Matron. The trio rail against the system, dubious of the benevolence of the bible and taking refuge in their blossoming friendship. It’s hard to reform girls who don’t believe they need reforming. However, a sense of doom settles in when experimental forms of punishment take place in the dead of night. Nellie and Daisy plot rebellion, but unexpectedly find themselves at odds with Lou, who is afraid to break the rules.

　　Four insomniac med school students are lured into a neuroscience experiment that spirals out of control and must find a way out before it's too late.

在9月29日结束为期八周的有限活动后，《香蕉骑行》据说向罗斯展示了不同的一面，这是一场结合了喜剧、自传体故事和音乐元素的更个人化、更发自内心的表演。这部剧是关于庆祝生活、纪念损失和为生活中的意外事件做好准备。

　　艾美從又濕又冷的浴缸裡驚醒，發現自己似乎被軟禁在一所廢棄的學校。身邊一片漆黑又恐怖，斑駁的牆壁上有一些詭譎的塗鴉。在她遭軟禁期間，只能與腦中想法相依。身為一名醫生，同時也是妻子和悲傷的母親，始終無法認清兒子因為意外已長眠的事實，並認為兒子也被困在學校裡面。在這充滿敵意、超自然煉獄般的學校，深陷於黑暗與絕望的艾美極力想要找到她的兒子。她不斷打破「學校」的規則，隨著艾美遇到住在「學校」的恐怖邪惡生物，令人畏懼的超自然力量與內心恐懼接踵而至，到底她對抗的是這些恐怖的生物，還是自己的心魔呢?