剧情简介
2017年度韩国限制级电影女儿的朋友2 Daughter"s friend 2
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噪声
李先彬,金玟锡,全益玲,刘庆秀有听力障碍的珠英(李先彬 饰),与妹妹珠憘(韩秀娥 饰)终于买下梦寐以求的新房,却没想到噩梦才正要开始。 某天起,珠憘开始被来自公寓某处的神秘噪音折磨得身心俱疲。那让人不耐的楼层噪音,不仅让她无法安睡,更像是潜藏某种黑暗秘密的警告。正当珠英离家工作时,珠憘突然失踪,让惊慌失措的珠英立刻赶回家,并与珠憘的男友基勋(金珉锡 饰)联手追查真相。同时,住在楼下的神秘男子(柳炅秀 饰)也长期受噪音困扰,认定一切都源于楼上的这对姊妹,让他情绪逐渐崩溃,扬言要对她们痛下杀手…… 真相究竟藏在谁的耳中?噪音背后,又是谁的疯狂正在近逼?
透明人与蝇男
北原義郎,品川隆二,叶順子,毛利郁子,南部彰三,見明凡太朗《透明人与蝇男 》是由村山三男导演的特摄科幻电影。一个发现可以把人变成和苍蝇一样大小的药品的男人,开始对给自己安上战犯的罪的人复仇。某个物理学家为了从蝇男的恐怖中拯救人们决心成为透明人。
19 十九
锦织一清,东山纪之,植草克秀,小泽夏木,坂井徹,山本哲平
还魂之迷失曼谷
范逸臣,李昕芸,李媛,雪村林美嘉(李昕芸 饰)、安晓晨(李媛 饰)和陈宇林(范逸臣 饰)大学时代便认识的好友,晓晨与宇林更是亲密的情侣。毕业后这对闺蜜共同进入一家服装设计公司,在残酷的职场中果敢自信的晓晨扶摇直上,很快成为一支团队的负责人,这让美嘉心中难免有所芥蒂。某次二人受公司指派去泰国寻找素材,希望转运的美嘉坚持要去某个偏僻所在向法师求佛牌。此后,两人在泰国遭遇离奇火灾,晓晨命丧异国他乡,美嘉则侥幸逃生,但失去了泰国之行的所有记忆。身为心理医生的宇林固然伤心,同时希望通过自己的专业技能帮助美嘉走出阴影。 可是这番治疗丝毫没有效果,美嘉被恐怖的幻觉所困扰,情况愈演愈烈……
离婚怨曲
梅根·古德,科里·哈德里克,约瑟夫·李·安德森,泰勒·波利多雷,Shannon Wallace,理查德·劳森,黛比·摩根,Mark Elliott Brewer,Sarah Girma,Adam Jerome Sperandio,乔·科马拉,Ursula O. Robinson,Rakeem Laws,Berry Williams Jr.,Jeffrey Creightney,Delandrian Lamar Aikens,Jason McGee,Anthonique Page,Anthony JohnsThe film follows Ava, a young bank professional who is devastated when her husband Dallas abandons a marriage she is determined to fight for. But then fate intervenes, revealing Dallas’ wicked deeds that have trashed their marriage, and once upon a time sabotaged Ava’s destiny to be loved by her true soulmate.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
毁灭者2
Terry Kiser,Cody Renee Cameron,Eva Hamilton1984年经典恐怖片的续集。