即刻观影
剧情赏析
编辑推荐
临租家庭
布兰登·费舍,平岳大,山本真理,香农·戈尔曼,柄本明,尼希,古川雁,金隆夫,小松裕司,长田凉子,保罗·安德里亚·迪·皮耶特罗,木村文哉,龟田梨纱,加奈·凯蒂,尾关伸嗣,筱崎志乃,楚南勇真本片讲述了一位在东京落魄的美国演员的故事。他受雇于一家日本家庭租赁公司，充当门面上的“美籍演员”，由此通过扮演他人生活中的各种角色，踏上了一段意想不到的自我发现之旅。
愤怒的黑人女孩与她的怪物
Chad L. Coleman,Laya DeLeon Hayes,丹泽尔·惠特克It tells the story of teenage anti-hero, Vicaria, who is on a desperate quest to cure death.
秒速5厘米真人版
松村北斗,高畑充希,森七菜,青木柚,上田悠斗,白山乃爱,木龙麻生,宫崎葵,吉冈秀隆,冈部敬史,中田青渚,田村健太郎,户塚纯贵,莲见翔,又吉直树,堀内敬子,佐藤绯美,白本彩奈改编自新海诚创作的同名动画电影，讲述了一段跨越时间与距离的青涩爱情与成长故事。
第18朵玫瑰
尼基·瓦尔迪兹,克里斯·维拉努瓦,Yayo Aguila,蔡·科尔特斯,Donna Cariaga,Kira Balinger,VJ Mendoza,Timothy Castillo,Tuesday Vargas活力少女梦想着一场完美的成人礼，于是与孤独的新来者达成一项协议，但意外的心动和真相也许会让计划彻底泡汤。
北部丛林
尼克·斯塔尔,奥利维亚·王尔德,达什·米霍克Allen Meneric is committed to a psychiatric institution for the criminally insane because of a brutal revenge murder. There he is forced to deal with the very ill and the dangerous until, as part of a socialization program, he is transferred to minimum security where he meets Mia, a beautiful bipolar female inmate. Ever haunted by his past, Allen seeks his redemption when sudden events demand that he protect Mia from the violence and chaos of the institution.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.