不良美少女医生
大ヒットヤンキーシリーズ！今度は...女医だ！！小沢アリス、主演作品！ 神埼涼子、２４歳。新人外科医、夜露死苦！ 田んぼが広がるのどかな田舎の町に、一人の女医がやって来た--神埼涼子（小沢アリス）、２４歳。天才外科医神埼裕司（中務一友）の娘として生まれた涼子は、周囲のプレッシャーに耐えきれず、いつしかヤンキーに。何とか医者にはなれたものの、“落ちこぼれドクター”として、父が昔務めていた「南十字病院」に赴任することに。父を見返すことを夢見る涼子だが、持ち前の荒っぽさは消えず、患者たちとは何かとトラブルに。しかし、地元のヤクザが絡んだ病院の売却話が持ち上がったことから...人気アダルトアイドル·小沢アリスが大暴れ！ヤンキーＤｒ．診察開始！艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
播放通道
详细简介
热门影视 大家都在看
阁楼房客是总裁
张层层,莫小错,詹子潼,董天昊光荣何价
大卫·卡拉丁,Ronny Cox,兰迪·奎德,梅林达·狄龙拼图杀机
池承炫,李世美,姜其永,杨明宪,英健,方秀衡,姜多贤,宋东焕,元贤俊,박상혁,赵润镐戴夫造了个迷宫
尼克·图恩,梅拉·罗希特·库姆巴尼,亚当·布斯奇,詹姆斯·乌尔班尼亚克,弗兰克·凯提,斯科特·纳维,斯蒂芬妮·阿琳,克斯汀·范奈丝,斯科特·克林斯基,蒂莫西·诺德温德,约翰·赫宁甘,瑞克·欧弗顿,卡米拉·艾尔内斯,德鲁·尼加,艾蒂安·埃克特,布里特妮·多伊奇,杰西卡·格拉夫斯三傻大闹宝莱坞
阿米尔·汗,卡琳娜·卡普尔,马达范,沙尔曼·乔希,奥米·瓦依达,博曼·伊拉尼,莫娜·辛格,拉杰夫·拉宾德拉纳特安幻视
南奎丽,李天熙,李奎翰,东铉培,金宰范,郑恩星,薛智允,崔大成,金光炫,吴雅琳,赵汉善,郑敬淏同类推荐
二〇二五年的欧陆
埃斯特·通帕,安娜玛丽亚·比鲁斯卡,马里乌斯·达米安,伊林卡·马诺拉切,瓦娜·马尔达雷,谢尔班·帕夫卢,阿德里安·希塔鲁,加布里埃尔·斯帕休,阿多尼斯·坦察奥尔索利亚是特兰西瓦尼亚主要城市克卢日的一名法警。一天，她必须将一名无家可归的男子从地下室驱逐出去，这一行动带来了悲剧性的后果，使得奥尔索利亚必须尽力应对随之而来的道德危机。
旁观者2025
陈坤,王砚辉,刘敏涛,容中尔甲,安泽豪,陈依莎,单禹豪,王劲松,陆玲,王雯那,姜颖函离家十六年的陈家辉（陈坤 饰）在得知父亲陈为民（王劲松 饰）病危后，重返故乡。但父亲未留下只言片语便匆匆离世。葬礼之后，陈家辉与哥哥陈家兴（王砚辉 饰）、姐姐陈家媛（刘敏涛 饰）在整理父亲遗物时，逐渐察觉父亲身上似乎隐藏着许多不为人知的秘密。带着困惑与心结，陈家辉开始探寻父亲生前的生活轨迹，试图拼凑出父亲真实的模样。在这个过程中，一段埋藏了16年的家庭秘密逐渐被揭开，而这个秘密的核心，正是家辉与父亲之间一生都未能解开的那个结。
四人新世界
董骠,吕方,黄韵诗,吴雪雯,秦沛,吴启华,邵国华飞叔移民到加拿大与儿子哈哈一起生活。在飞机上认识了一位来自大陆的黄艳秋，并有意撮合艳秋和哈哈，飞叔与艳秋的姨妈是一对欢喜冤家，艳秋和一个富家花花公子一起，哈哈很沮丧，飞叔鼓励儿子向艳秋表白。哈哈买下一块地，想转头赚钱，但买家临时改变主意，令哈哈欠下一笔钱，飞叔、姨妈、哈哈、艳秋开始了四人新世界……
鱼刺2025
黄婧仪,柴烨,陈佳宁,黄渲文,王一楠,陈创,王宏伟李琪和母亲相依为命但关系紧绷，高考结束后，她在鱼档帮母亲照顾生意。在同学小薇的生日聚会上，李琪在对方挑衅下摔坏了小薇的手机，面对索赔危机，李琪决定独自解决。高考成绩出来了，远非母亲想象的那般理想，李琪却不愿听从安排去复读，令母女关系再度蒙上阴影……导演张旭煜的短片作品曾入围二十余个国内外电影节展，这部长片首作则是“青葱计划”五强优胜项目。导演在片中巧妙运用多种意象隐喻角色心理，成长的隐痛如鲠在喉，而资深话剧演员王一楠和新生代演员黄婧仪也以充满张力的互动精准诠释了母女之间爱恨交加的亲子关系。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.