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最后的日出
张珏,张苒黑暗收割
卡塞伊·莱克斯,艾默莉·克鲁奇菲尔德,Dustin Ceithamer,亚历杭德罗·阿卡拉,以斯拉·巴兹顿,杰瑞米·戴维斯,伊莉莎白·里瑟,卢克·柯比,Austin Autry,梅根·贝斯特,杰克·布雷楠,布里坦·道尔顿,史蒂文·麦卡锡,Maclean Fish,纳扎利·德姆克维奇,West Mulholland,Carter Heintz,Logan Tomanek,Dylan McEwan,Ryder Dueck世界末日2022
安妮·海瑟薇,杰瑞米·斯特朗,安东尼·霍普金斯,杰西卡·查斯坦,多米尼克·隆巴多兹,托芙·菲尔德舒,玛西娅·让·库尔茨,泰迪·库卢卡,迈克尔·班克斯,安德鲁·波尔克野狼防卫战
维林斯·豪塞尔,博·霍普金斯,乔治·肯尼迪,金伯莉·贝克,布里翁·詹姆斯火葬2025
Van David,K Sinh,Ry SreyNet300杀手
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铁肺
马克·费施巴赫,卡萝·卡普兰,特洛伊·贝克,埃尔希·洛夫洛克,艾丽·拉蒙特,Dave Pettitt,Isaac McKee,Asher Wagh,Kazuki Jalal,阿拉娜·皮尔斯,Seán McLoughlin,David Szymanski,丹妮尔·普勒格,拉胡尔·寇利,Ethan Nestor,瓦尔基雷影片改编自2022年的同名独立恐怖游戏。背景设定在名为“The Quiet Rapture”的末日之后,一名囚犯被迫深入血红色的海洋,驾驶一艘锈迹斑斑的微型潜艇搜寻残存的自然资源。
新的景色
黑崎煌代,远藤宪一,井川遥,木龙麻生,菊池亚希子,中山慎吾,吉冈睦雄,苏钰淳,服部树咲,石田莉子,荒生凛太郎,中村苍高野任职园境建筑师,规划涩谷宫下公园重建;露宿者被驱赶,让路予结合户外休憩与购物商场的新地标。为了工作牺牲家庭,大刀阔斧改造都市面貌,自己却家破人亡了。十年后,一盆蝴蝶兰令父子重遇,女儿已不再在乎长期缺席的父亲。重回故地,亲子关系能否重建?团冢唯我首部长片,善用建筑空间显现家庭创伤,静谧中蕴藏情感波动,再以破碎灯泡让记忆回魂。被离弃的世代游走于冷漠城市,重新审视家人之间的距离之余,亦察看一座城市于急速变形下残留的空洞。
杀他的100种办法
车祸后,林晚与“地狱使者”签下“重生”契约,潜入记忆迷宫猎杀“恶魔”丈夫。然而随着世界诡异崩塌,她发现这场复仇游戏背后,竟隐藏着一个颠覆生死的骇人秘密......
总统的蛋糕
Banin Ahmad Nayef,Sajad Mohamad Qasem,Waheed Thabet Khreibat,Rahim AlHaj人人都中头奖,难道人人都想中头奖?九十年代伊拉克经历军事及经济制裁,独裁者萨达姆无惧动乱,勒令全国为自己庆祝生日。九岁女孩「喜获头奖」成为学校代表,被迫接下为总统炮制生日蛋糕的国家级重任。然而通货膨胀、物资匮乏,鸡蛋面粉都是奢侈品,女孩带着宠物公鸡,从沼泽向城市出发搜罗食材,完成这项国家交给她的任务!首有伊拉克电影进军戛纳,编导借小女孩充满稚气却坚韧的目光,展现伊拉克从未被记录过的一面,献给在战乱下仍能找到爱与友谊的小孩。戛纳电影节金摄像机最佳首作。
公寓2024
斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.