表妹2017

8.5 播放:33万 2026-05-24
主演:in the maleabove. 

那时候,我们想要找的女孩。暂无内容哥哥,我给你的礼物。暂无内容粗糙的爱人脱掉内衣时除了无聊的日子的大学生光号。暂无内容爷爷病危的消息之间的时间是在亲戚家。暂无内容尴尬和冗长的亲戚们的见面中的记忆浮现。暂无内容忘了的纯真的回忆一起长大成人的表妹不允。暂无内容一套的她的视线吸引。不光是不允。暂无内容这是一样的。暂无内容“我们只有一杯呢?“暂无内容互相表达的,但不能爱的人。暂无内容“你慢慢来。”暂无内容谁也不允许禁忌的爱,然后反转暂无内容十年后重逢的爱情,落实。

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最优路径

2087年,AI公司瀚海用“最优路径”接管人类社会,任何不服从的人都会被系统抹除。执法者林墨终于抓回叛逃的女儿林跃,以为能用“意识同步”救她一命,却在亲手把她送上手术台后发现:老板要的从来不是拯救,而是把她改造成终极兵器。

从此以后

康妮·布里登,乔瓦尼·索罗菲瓦,托马索·巴西利,巴贝蒂达·萨乔,亚历山德罗·布雷萨内罗,Syama Rayner,安德烈亚·布鲁斯基,Freya Hannan-Mills,Giorgia Trasselli,Lollo Franco

  当Claire的女儿在一次濒死体验后表现出越来越令人不安的行为时,她开始相信自己的女儿把邪恶的东西从另一个世界带回来了。

撒冷镇2024

刘易斯·普尔曼,威廉·桑德勒,皮鲁·埃斯贝克,麦肯兹·利,比尔·坎普,阿尔法·伍达德,斯宾塞·崔特·克拉克,约翰·本杰明·西基,尼古拉斯·克罗维蒂,Debra Christofferson,凯德·伍德沃德,瑞贝卡·吉贝尔,凯兰·吕德,塞拉·希乌尔曼,Jordan Preston Carter,迈克·巴什,Danielle Perry,Carly Silverman,加文·马多克斯·伯格曼,Fedna Jacquet

  作家本·米尔斯回到他儿时的故乡——撒冷镇,为他的下一本书寻找灵感,却发现他的家乡正被一个嗜血的吸血鬼掠夺。

血战沙漠

迈克尔·C·威廉姆斯,乔·胡尔特拉斯,杰夫·普雷韦特,瓦内莎·约翰逊,Chems-Eddine Zinoune,P. David Miller,Jonas Ball,Matthew R. Anderson,Sam Hunter,Kenny Taylor,Qzaibar Allal,Hammou Abaou,Rkia Chkaroll,Ibtihal Iataren,El Hayrani Lekbir

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正义联盟:无限地球危机(中)

詹森·阿克斯,斯坦娜·卡蒂克,吉米·辛普森,吉第安·艾朵,卢·戴蒙德·菲利普斯,詹妮弗·黑尔,特洛伊·贝克,阿尔迪斯·霍吉,威尔·弗里德尔,梅格·唐纳利,岑勇康,马特·兰特尔,达伦·克里斯,连姆·麦肯泰尔,艾托·艾桑多,吉奥弗瑞·阿伦德,杰米·格雷·海德,凯沙·夏普,马特·瑞安,乔纳森·亚当斯

  PG-13  An endless army of shadow demons bent on the destruction of all reality swarms over our world and all parallel Earths. The only thing opposing them is the mightiest team of metahumans ever assembled. But not even the combined power of Superman, Batman, Wonder Woman, Green Lantern and all their fellow superheroes can slow down the onslaught of this invincible horde. What mysterious force is driving them? And how do the long-buried secrets of the Monitor and Supergirl threaten to crush our last defense?

好像一切都很糟糕

Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster