剧情简介
James Keziah Delaney在非洲生活十年之后，发现了父亲留给自己的一笔神秘遗产，后来他觉察到自己与东印度公司呈现对峙的状态，同时身陷英美两个参战国之间进行的一个危险的游戏……
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玉蝎子的魔咒
John Tormey,伍迪·艾伦,海伦·亨特,查理兹·塞隆,丹·艾克罗伊德,伊丽莎白·伯克利CW•布里格斯（伍迪•艾伦饰）是20世纪40年代美国纽约著名的北海岸保险公司的最出色的保险调查员，他的拿手绝活是能窥探犯人心中所想，从而轻而易举地破案。自从老板请来了“效率专家”贝蒂，这一切就改变了。贝蒂新官上任，带来新的策划新的管理方式，布里格斯成为被开刀的第一人。二人之间火药味甚浓。在同事乔治的生日会上，他俩被魔术师叫上台，在玉蝎子的魔力下，二人被催眠，醒来后对刚才发生的事一无所知。 之后城内接二连三发生珠宝盗窃事件，而被窃珠宝的报警装置是布里格斯亲手设置的，没有他是不可能破开的。在调查案件中，肯辛顿家的尤物女儿（查理•塞隆饰）主动约他约会，他怀疑她的动机。而贝蒂请来侦探协助他调查让他更为不快。 贝蒂是上司的情人，因为老板迟迟不肯跟妻子离婚而倍感伤心。神使鬼差走到了布里格斯家跟他倾诉，布里格斯怀疑是贝蒂泄漏了公司机密，随后贝蒂对他的示爱更令他加深怀疑。 要在一系列欢笑嬉闹中，最后才想起一切缘自当初的那个玉蝎子的魔法，这些盗窃案最后还撮合了一对天作之合。
新的景色
黑崎煌代,远藤宪一,井川遥,木龙麻生,菊池亚希子,中山慎吾,吉冈睦雄,苏钰淳,服部树咲,石田莉子,荒生凛太郎,中村苍高野任职园境建筑师，规划涩谷宫下公园重建；露宿者被驱赶，让路予结合户外休憩与购物商场的新地标。为了工作牺牲家庭，大刀阔斧改造都市面貌，自己却家破人亡了。十年后，一盆蝴蝶兰令父子重遇，女儿已不再在乎长期缺席的父亲。重回故地，亲子关系能否重建？团冢唯我首部长片，善用建筑空间显现家庭创伤，静谧中蕴藏情感波动，再以破碎灯泡让记忆回魂。被离弃的世代游走于冷漠城市，重新审视家人之间的距离之余，亦察看一座城市于急速变形下残留的空洞。
致命录像带99
杰西·拉图雷特,Keanush Tafreshi,Dashiell Derrickson,杰克森·凯利,泰比·迪斯金,维罗娜·布鲁,阿米娜·涅韦斯,凯利·米萨尔,Melissa Macedo,艾丽·艾恩奈兹,Isabelle Hahn,Breana Raquel,Caitlin Serros,Brittany Gandy,Logan Riley,Maurice Webster,史蒂文·奥格,Jerry Boyd,索妮雅·艾迪,Amelia Ann设定在1999年，以伪纪录片形式，聚焦那些看似普通、欢乐的家庭录像带中发现的可怕事件和“鬼影”。
寂静的朋友
梁朝伟,卢娜·韦德勒,恩佐·布鲁姆,蕾雅·赛杜,西尔维斯特·格罗特,黄云,卢卡·瓦伦蒂尼,菲利克斯·布罗斯,赖纳·博克,玛莱内·布罗,厄文·吉瑟,约翰内斯·赫格曼,斯凯·霍夫曼,约翰内斯·沙伊德魏勒,马丁·乌特克在德国一座中世纪大学城的植物园中，一棵古老的银杏树静静矗立，见证着三个时代中人与自然之间的深层联结。1908年，大学首位女性学生透过摄影镜头，在植物的微观结构中发现宇宙的神圣秩序；1972年，一位沉默的青年在观察天竺葵的过程中，悄然改变了对世界的感知；2020年，一位来自香港的神经科学家在研究婴儿意识的同时，与这棵树展开一场意想不到的实验。
AI 爱上你
平采娜·乐维瑟派布恩,马里奥·毛瑞尔,萨哈贾克·波斯安吉特,大卫·阿萨瓦纳德,Watthanachai Treedecha,Thaweesak Thananan,Kenneth Won,Michael S. New,James Laver,Ladapa Ratchataamonchot,Chris Wegoda,Fuang R. Puttarangsi,Manita Chobchuen,Siri Tveter,Hassaya Isariyasereekul一个故障百出的 AI 机械人正面临被淘汰的命运，却因爱上一个女人而躲进一个男人的血肉之躯，用尽千方百计夺取芳心。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
昭和残侠传：唐狮子仁义
高倉健,藤純子,池部良,待田京介,小林千枝,志村喬風間重吉は花田秀次郎との果たし合いで左腕を失った。出所した秀次郎は林田一家の世話になる。樺島一家は採石の入札をめぐって林田と老舗“浅野屋“を圧迫していた。樺島の客人となった風間は、秀次郎に果たし状を渡すが、女房が凶弾に倒れ、秀次郎とともに死地に向かう。