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随着妍静突然宣布重返职场, 她们发现自己离家的时间明显增多。 之前一直疏远她心爱的钢琴的米娜, 开始回避家人。 之前一直回避运动的镇秀,突然每个假期都离家去锻炼。 随着秘密越积越多,沟通也变得支离破碎, 三人变得疏远却又亲近。 然后,有一天,一次偶然的相遇, 将妍静、米娜和镇秀的秘密串联了起来…… 嘘!当你打开这扇秘密之门, 一个非常特别(?)的家庭故事就此展开!
出于对年迈邻居艾尔西(布兰达·布莱斯饰)所获照料状况的厌恶,科琳(安德丽亚·瑞斯波罗格饰)主动提出免费提供帮助。在茶叙与艰难时刻中,尽管存在差异,两人成为了彼此信赖的知己。但科琳的意图可能并非表面所见。随着疑云渐起,一项骇人举动触发了一场暴力的连锁反应,势将无可挽回地改变这两位女性的生活。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
寂静深夜,Selly(Violenzia Jeanette 饰)、Jack(Ricky Harun 饰)、Tando(Zidni Adam 饰)三名喜好刺激的青年男女驾驶机车飞驰在公路上,突然之间,Selly的机车失控,她摔倒在地,身受重伤,昏迷不醒,Jack、Tando连忙将其送往医院。与此同时,来自日本的女孩幸子(苍井空 饰)正准备和当地的导游外出游玩,谁知却不小心用车门夹上导游的手,语言本就不同的二人也慌慌张张前往医院。不久之后,两组人马在这间有些阴森的医院内会合,隐隐约约中,一个留着长发却看不清面容的女人不时逡巡在幸子等人的周围。 对于这几个有些倒霉的青年来说,恐怖而又爆笑的夜晚正慢慢拉开序幕……