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一个女人,她的一个好朋友住进了哈文赫特公寓就再也没有消息,然后杰奎琳住进这栋公寓进行调查,却发现了这栋公寓的不为人知的历史.....
法国青年克里斯(Fabian Wolfrom 饰),在他11岁时某个夜晚,哈雷彗星接近地球。似乎冥冥中有所感应,他的父母在当晚死于非命。此去经年,哈雷彗星再度接近地球,全世界人民寄予极大关注,各种或科学或玄学的猜测层出不穷,热议纷纷。对克里斯来说这颗星体的造访似乎没有什么特别的,但是他却发现周围人们的举止愈加怪异,人们越来越无法控制自己的情绪,各种暴力和暴动此起彼伏,在所谓的末日为降临前,众生已经陷入绝望的疯狂之中。彗星莅临当晚,克里斯受邀参加一个狂欢派对。谁知未过多久场面便完全失控,各种嗜血恶徒出笼,展开末日杀戮……
在索马里沙漠的一个偏远村庄,一个小男孩和爸爸、姑姑一同生活。父亲靠临时工作支撑家用,姑姑因为婚姻危机无奈躲到此处。他们朴素的心愿因为混乱不安的社会环境变得遥不可及,但家人之间仍充满温情瞬间。索马里裔奥地利导演莫·哈拉韦的长片首作通过一个临时家庭的境遇来展现动荡时局对个人生活的吞噬。导演温柔看待三位主人公,他以精致的构图和色彩,在有条不紊的节奏下,安静有力地铺陈越发紧迫的生存之战。本片是首部入围2024年戛纳电影节的索马里题材影片,并一举入围一种关注单元和导演首作金摄影机奖两大单元。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster