三级片：香港剥削电影不为人知的故事

连环杀手夫人

　　一名医生因一连串令人震惊的凶恶案而入监服刑，他忠心的妻子打算模仿同样的杀人手法作案，借以证明他的清白。

在你的爱情里

蒙特利尔，我的美人

53岁华裔移民凤霞（陈冲 饰）在加拿大蒙特利尔已经生活了大半辈子，人生被“妻子、母亲、移民”的身份牢牢捆绑：一段早已失去爱意的婚姻、需要照料的家庭、中西文化的夹缝，让她活成了别人期待的样子，也压抑了真实的自我。直到她遇见充满活力的年轻魁北克女孩卡米尔（夏洛特·奥宾 饰），一段意外的亲密关系唤醒了她埋藏多年的欲望与渴望。凤霞被迫直面内心的渴望，在家庭责任与自我解放、传统束缚与自由人生之间，做出艰难却决绝的选择，完成一场迟来的中年觉醒与自我救赎。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster