情色妄想
影片通过一种非线性的碎片化叙事，展现了主角内心深处被压抑的狂暴妄想。女主角凯茜（由 Brigitte Lahaie 饰演）陷入了一系列无法分辨虚实的梦境中：在这些恐怖且迷人的幻想里，她在阴森的古堡与现代的都市间穿梭，经历着关于剧情反转与感官极限的洗礼。影片模糊了道德与疯狂的界限，将人类潜意识里的贪婪与恐惧以极具视觉冲击力的方式呈现出来，是 70 年代法国影坛少有的“烧脑”伦理大作艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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剧情简介
影片通过一种非线性的碎片化叙事，展现了主角内心深处被压抑的狂暴妄想。女主角凯茜（由 Brigitte Lahaie 饰演）陷入了一系列无法分辨虚实的梦境中：在这些恐怖且迷人的幻想里，她在阴森的古堡与现代的都市间穿梭，经历着关于剧情反转与感官极限的洗礼。影片模糊了道德与疯狂的界限，将人类潜意识里的贪婪与恐惧以极具视觉冲击力的方式呈现出来，是 70 年代法国影坛少有的“烧脑”伦理大作艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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我能有个见证人吗
Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.
宠物坟场2(2023)
改编自斯蒂芬·金小说。是2019年那部宠物坟场的前传。讲述1969年贾德·克兰德尔发现了一段黑暗的家族史：一个神秘坟场里被埋葬的人和动物都会复活，但事情绝没有看起来那么简单。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.