涼森れむ – Remu3 Heavenly place
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan涼森れむ – Remu3 Heavenly place
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剧情提要
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan涼森れむ – Remu3 Heavenly place
暗夜精选
鬼们之蝴蝶大厦
尹馨,曹佑宁,冯淬帆,白润音,蔡振南,庄凯勋,安心亚,曾莞婷日本的首领：完结篇
三船敏郎,菅原文太,大谷直子,佐分利信,片冈千惠藏 ,西村晃,山本由香利,佐藤庆,远藤太津朗,高桥悦史,二宫小夜子,渡边文雄,仲谷升,金子信雄,小池朝雄,东惠美子,稻叶义男,小林稔侍,待田京介,真野玲,樱町弘子,志贺胜,铃木瑞穗,寺田农,安部彻我是卧底2026
邹兆龙,于荣光,李彦奎,王韬,文东俊,张沙沙,王铂清邪猫劫
Toni Hudson,Eric Larson,Alex Cord祝你好运2024
亚历山德拉·达达里奥,柯瑞·福格尔玛尼斯,迈尔斯·古铁雷斯-赖利,科尔·斯普罗斯,莉娜·邓纳姆,艾米·兰德克,莱克西·安德伍德,丽莎·山田,贾德森·米尔斯,布莱恩·迈克尔·史密斯印度超人
佩丽冉卡·曹帕拉,赫里尼克·罗斯汉,纳萨鲁丁·沙幸存者1999
格雷格·艾维甘,瑞秋·克劳福德,克劳迪亚·米歇尔森,大卫·休莱特,Diego Matamoros,克雷·班奈特,Gene Mack,劳伦斯·贝恩同系列推荐
德古拉2025
阿多尼斯·坦察,Oana Maria Zaharia,加布里埃尔·斯帕休,Alexandra Harapu,Ana Dumitrascu,亚历山德鲁·达比加,Claudiu Dumitru,谢尔班·帕夫卢,Andrada Balea,伊林卡·马诺拉切,尼科丁·恩古里亚努,艾丽娜·塞尔班,Carina Lapusneanu,Marian Adochitei,Horea Avram,Alexandra Caras,Doru Catanescu,米海·科玛罗尤,Alexandru Georgescu,卡丽娜·齐维克多·弗兰肯斯坦
詹姆斯·麦卡沃伊,丹尼尔·雷德克里夫,杰西卡·布朗·芬德利,安德鲁·斯科特,马克·加蒂斯,露易丝·布瑞丽,丹尼尔·梅斯,弗莱迪·福克斯,布隆森·韦伯,埃利斯戴尔·皮特里,斯宾塞·怀尔丁,卡勒姆·特纳皮皮鲁和鲁西西之309暗室
黄爽,刘蕊,李昕后座
哈利·米尔林,亚历山大·斯卡斯加德,道格拉斯·霍奇,莱斯利·夏普,安东尼·威尔士,杰克·谢尔斯,Miranda Bell,比利·金,Rosie Sheehy,Stevie Raine,乔治娅·赫利尔,杰克·夏普,Michael 'Mike' Jones,尼克·菲吉斯,卡夫奇奇·米哈,保罗·塔利斯,Kevin Bazeley,Christina Carty,扎米尔·梅斯蒂,Jacob Carter丽萨·安·沃尔特：纯属意外
丽萨·安·沃尔特那个孩子是谁？
涩谷凪咲,早濑憩,山时聪真,荒木飞羽,今森茉耶,苍井旬,染谷将太,松尾谕,小原正子,槙田雄司幕后花絮
男孩、鼹鼠、狐狸和马
查理·麦克西的同名绘本改编的手绘动画，关于善良、友谊、勇气和希望，通过一段辛酸而真挚的旅程，讲述了一个男孩、一只鼹鼠、一只狐狸和一匹马，四个孤独的灵魂在寻找家的过程中结伴而行，并在彼此身上找到了自己存在的意义。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.