日本女主播-つきれあな-22

　　1997年，亚洲金融危机如同暴风雨一般席卷各国，公司倒闭已成寻常，老板富贾逃亡自杀，普通民众的生活愈加困苦。富家女孩布姆（Thunyaphat Pattarateerachaicharoen 饰）父亲所盖的大楼最终烂尾，遭到父亲家暴后，万念俱灰的布姆和伊布（Panisara Rikulsurakan 饰）相约自杀。阴差阳错，贝尔去往另一个世界，布姆则苟活人间。　　时光流转，20年后的布姆（楠迪·宗拉维蒙 Namthip Jongrachatawiboon 饰）已成为小有名气的房地产企业家。某天，她带着女儿贝尔（安比查雅•松可寒 Apichaya Thongkham 饰）再次来到当年和朋友自杀的烂尾楼。顽皮的贝尔四处游荡，捡到了母亲当初和伊布沟通的BP机。殊不知，一个孤独的灵魂已在此等候多年，只为了践行未完的承诺……

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　占士邦（谭耀文 饰）长得一表人才又颇具才干，是广告行业内出了名的花花公子。因为对感情缺少信任，年岁渐长的他依旧保持单身，在内心里，他一直希望能够出现一个“完美的女人”，捕获他的真心。　　最近，占士邦在工作上遇到了点麻烦，他需要策划一支啤酒广告，却苦于没有灵感。就在这个节骨眼上，仿佛是上天赐给他的礼物，一个神秘的女子茱莉亚（舒淇 饰）出现在了占士邦的生活之中，只是，当占士邦开始注意到茱莉亚之时，她早已经消失的无影无踪。茱莉亚的冷艳与神秘带给了占士邦灵感，工作上的问题迎刃而解，与此同时，占士邦亦对茱莉亚的真身产生了兴趣。

　　当10个年轻人去探索一家废弃的比萨店时，他们很快就知道，他们将不得不为自己的生命而战，同时试图揭开比萨店令人不安的历史。