小妹2

一位心碎的东德女服务员和一位手臂受伤的伊朗YouTuber在山中的鬼魂搜寻之旅中寻找孤独的慰藉。这是一场关于不太可能的友谊以及对另一种生活的渴望的浪漫冒险。

尼古拉斯·考夫兰和伊莎贝尔·戈尔注定要在一起。问题是他们是否会发现。正如鬼魂、命运和真爱的纯粹力量将尼古拉斯和伊莎贝尔拉在一起一样，生活也有可能将他们分开。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster